Ex. 17.6 Tempus est, mm. 14-27: Benedicite Deum, ainsi que enarrate omnia mirabilia eius

Ex. 17.6 Tempus est, mm. 14-27: Benedicite Deum, ainsi que enarrate omnia mirabilia eius

An environment about Lamentations out of Jeremiah for Maundy Thursday Holy Few days is actually associated with Frescobaldi regarding Bologna manuscript Q 43, an anthology most likely built from inside the Rome about the middle of 17th century (the latest papers could have been identified as Roman, once 1650)

Note: + = lost part; LU = Liber Usualis. The new motets was numbered according to the index of the basso continuo region-bookpare the brand new liturgical projects and you will supply considering from inside the Roche 1986, in which times are based on the fresh official papal identification of cultus. ____________________________________________________________

Unfortunately, the new Altus area-book of one’s Liber secundus, which also include pieces to have Cantus II, was missing on the only identified set of region-courses to the collection, in order that merely fourteen of the thirty-a couple concertos normally because of the transcribed inside their entirety (a fifteenth was recoverable from another resource). Rather than the new selections out of Frescobaldi’s contemporaries from the St. Peter’s, the latest Liber secundus will not appear to have been chosen livelinks dating otherwise set up for the one specific liturgical values (discover Table 17.1). Including texts for some particular liturgical circumstances, the brand new options of the collection offer motets to own feasts in our Lord, the new Virgin Mary, the newest Sacred Cardio, the brand new Ascension, martyrs, and you will man or woman saints, some with additional alleluias having Eastertide. Regarding the Vatican manuscript Chigi Q. VIII. 205-206 Frescobaldi duplicated three excerpts out-of Virgilio Mazzocchi’s 1640 Sacri flores for a few-4 sounds and you can continuo: �Nel motetto Veni sponsa Christi del Mazzocchio Alleluia,� �Nel motetto Sacerdotes Dei del Mazzocchi,� and �Omnes sancti.�

An assessment of your own Liber secundus with the paradigm of the short sacred concerto, Viadana’s Cento concerti ecclesiastici of 1602, indicates that Frescobaldi attained his messages out-of a wider, smaller strictly liturgical muscles of present; occasionally there is no way to ascertain the specific attraction (if any) of these really works.

Four of the motets are obtained to own solo sound (canto or tenor) and you may continuo, 7 for a few voices of various range, and you may six to own four sounds (constantly CATB); talking about far outnumbered from the fourteen options for 2 sounds regarding varying range and you may continuo. (Unfortunately, the new motets to own CC/bc are typical partial because the C2 was printed in the latest Altus partbook.) The fresh motets getting solamente voice basically tell you a fairly rapid ornamental vocal range deployed more than a slowly-swinging bass and regularly employed in syncopation up against they. Per unicamente means includes a quick area during the triple meter. of your motets include multiple areas: O3/step 1, 3/step one, 3/2,O3/2, all about three entire cards to the scale, and you will C3/dos, around three halves, virtually encouraged from the particular facet of the text message, e. grams., �bless Jesus and declare every his marvelous performs�:

Frescobaldi’s form are a dignified and you may expressive account of its swinging text message and at minimum partly refutes Liberati’s blanket condemnation regarding Frescobaldi once the a beneficial sacred singing author

Even after Liberati’s strictures, Girolamo do you will need to depict this new aspects of the text, while the experience the newest suspensions on �tristitia� (�sorrow�) or even the melisma into the �et celle-ci consoletur� (�who can console�) into the �Aspice Domine,� and also the obtrusive Grams into the �Sol� for the �Ipsi share desponsata.�

Where motets tend to be a vocal bass, like many of your own basses in the Frescobaldi’s instrumental canzonas it�s described as a comparatively retrogressive therapy. The low voice is not an independent line but a decoration-possibly highly ornamented-of the continuo trout (or perhaps the continuo try a reduction of a decreased singing line). Throughout the tripla sections you to definitely exist together with during these work the newest one or two traces is very similar.

The fresh range constitutes functions Carissimi, �I. C.�, Carlo [Caprioli] del Violino, Carlo Rainaldi, G. F. Marcorelli, and you may �M.Yards.� (?Marco Marazzoli)-Roman maestri di cappella of your 1630s.

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